1. Sitting on Top of the World 3:26 “Dry Bones” finds him crooning and hollering over a bouncing banjo, while “Take This Hammer” closes the album on a penitent note, with Watson singing to the heavens alongside a congregation of Sunday morning soul singers. Can’t Be Satisfied 3:56 16. Spoonful 3:59 13. Lay Down My Worries 3:40.
6. Coat of Mail 4:56 10. 2, he acts as a modern interpreter of older songs, passing along his own version of the music that came long before him. On Folksinger Vol. 7.
Take This Hammer 5:11 7. Willie Watson. Instead, they’re part of the folk canon, passed from generation to generation by singers like Watson. "Take This Hammer" (Roud 4299, AFS 745B1) is a prison, logging, and railroad work song, which has the same Roud number as another song, "Nine Pound Hammer", with which it shares verses. 7. 14. Don’t Forget To Miss Me 4:36 They don’t belong to anyone. The result is an album that delivers solidly to both blues fans and discerning folk/roots listeners. Arriving three years after Folksinger Vol. The Gist of Madhuvaniti / The Thrill is Gone 5:56 Even so, Watson has never sounded more commanding, more confident, more connected to the music that inspires him.
Take This Hammer 5:11 11. Produced by David Rawlings, the album carries on a rich tradition in folk music: the sharing and swapping of old songs. Spoonful 3:59 1. Photography by Meredith MunnWebsite by Designing the Row.
It furthers the legacy of American folk. Bring That Thing 5:34 Reuben’s Train 4:45 Several singers and sidemen make appearances here, including Gillian Welch, the Punch Brothers’ Paul Kowert, and Old Crow bandmate Morgan Jahnig. 2. 10.
2. Nat Bhariav 1:58 Arriving three years after Folksinger Vol. I heard Leadbelly singing with the Golden Gate Quartet and it sounded fantastic, and I thought, ‘I want to do that.’ I heard the Grateful Dead doing their version of ‘On the Road Again,’ and it sounded like a dance party in 1926, and I wanted to do that, too. Southern gospel.
Master. The Gist of Madhuvaniti / The Thrill is Gone 5:56 12. The singer’s young daughters, Anna and Melanie, appear at the very end surrounded by a large group of extras. Long ago, the 11 compositions that appear on Folksinger Vol. “Dry Bones” finds him crooning and hollering over a bouncing banjo, while “Take This Hammer” closes the album on a penitent note, with Watson singing to the heavens alongside a congregation of Sunday morning soul singers. Well, well, well! Read more about Take This Hammer: Background, Early Versions, Field Recordings, Commercial Recordings After 1940, Recordings, Trivia, “Long lion daysStart with white haze.By midday you meetA hammer of heat....”—Philip Larkin (19221986). 4. Irish fiddle tunes. That’s the whole reason I ever played music in the first place — because it looked and sounded like it was going to be a lot of fun.”. 13. He’s a folksinger in the classic sense: a singer, storyteller, and traveller, with a catalog of songs that bridge the gap between the past and present. It moves me and inspires me. Take This Hammer Become a Fan Remove Fan. Nodding to the past without resurrecting it, Willie Watson turns Folksinger Vol. Railroad songs.
2 were popularized by artists like Leadbelly, Reverend Gary Davis, Furry Lewis, and Bascom Lamar Lunsford. "Swannanoa Tunnel" and "Ashville Junction" are similar. 2 makes room for it all. Recorded Live at the Basement, Sydney, Australia in 2003 Delta blues. Listen to Take This Hammer (feat. Earl Solomon Burroughs (b.September 16, 1925, New Orleans, Louisiana, USA – d.April 8, 2016 in Oakland, California, USA) better known by his stage name Jack With a quick vibrato and rich range, he breathes new life into classic songs like “Samson and Delilah,” one of several songs featuring harmonies from gospel quartet the Fairfield Four. Folksinger Vol. “I’m not trying to prove any point here,” he insists, “and I’m not trying to be a purist.
In his uniquely signature style, Manx combines songs that are steeped in traditional blues (Spoonful, Sitting on Top of the World) with beyond-categorization originals that move between a blues foundation and Indian raga-induced world fusion flavour. Includes tunes from his early albums (Dog My Cat, Wise and Otherwise, Jubilee, West Eats Meet), as well as unreleased material, this “concert program” satisfies the best of both Manx’s rich recording history and the foot-stomping memory of the live show. Gabriel ultimately knocked his former Genesis bandmates off from the No. The Fairfield Four) Willie Watson The Fairfield Four. Home Featured About. Sunday Morning Ascension 3:32 14. Lay Down My Worries 3:40. Numerous bluegrass bands and singers like Scott McGill and Mississippi John Hurt also recorded commercial versions of this song, nearly all of them containing verses about the legendary spike driver, John Henry; and even when they do not, writes folklorist Kip Lornell, "one feels his strong and valorous presence in the song". 3. Play on TIDAL or open in our Desktop app Share. Intro 1:20 Take a look! This should be a tricky one! 3. And what a singer he is. Together, this group of songs are referred to as "hammer songs" or "roll songs" (after a group of wheelbarrow-hauling songs with much the same structure, though not mentioning hammers). The Fairfield Four), a song by Willie Watson on TIDAL. Log in Start Free Trial Start Free Trial. 1 — his first release since parting ways with the Old Crow Medicine Show, whose platinum-selling music helped jumpstart the 21st century folk revival — Vol. For nearly two decades, Willie Watson has made modern folk music rooted in older traditions. Only Then Will Your House Be Blessed 3:32 Take This Hammer "Take This Hammer" (Roud 4299, AFS 745B1) is a prison, logging, and railroad work song, which has the same Roud number as another song, "Nine Pound Hammer", with which it shares verses.
Produced by Jordy Sharp, Track Listing: Call it the Blues 3:38 15. Baby Please Don’t Go 3:46 The songs don’t actually belong to those artists, though. Sitting on Top of the World 3:26 15. He’s a balladeer on “Gallows Pole,” whose melancholy melodies are echoed by the slow swells of a four-piece woodwind ensemble, and a bluesman on “When My Baby Left Me,” accompanying himself with sparse bursts of slide guitar. 16. 6. Appalachian music. 2 expands Watson’s sound while consolidating his strengths. The album carries on the spirit of a time nearly forgotten. Harry Manx: Vocals, 6-string lap guitar, Mohan Veena, 6-string banjo & harmonica 5. An inspiring journey from around the world, this collection condenses more than 100 hours of music recorded at shows in Canada, Europe and Australia. 12. On February 9, 1987, the video swept all major categories at the MTV Video Music Awards, taking home a total of nine statues—the most awards a single video has won. 4. Samson And Delilah (feat. It taps into the rich core of roots music. Folk / Americana / Blues Cleveland, OH "Swannanoa Tunnel" and "Ashville Junction" are similar. 2 into something much more than an interpretation of older songs. Sunday Morning Ascension 3:32 Can’t Be Satisfied 3:56 Total Running Time: 64:17 Coat of Mail 4:56 And perhaps most importantly, it shows the full range of Willie Watson’s artistry, matching his instrumental and vocal chops with a strong appreciation for the songs that have shaped not only a genre, but an entire country. Folksinger, Vol. There’s so much beauty in this old music, and it affects me on a deep level. Nat Bhariav 1:58 11.
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