In England, the book inspired the film Keep Your Seats, Please (1936), directed by Monty Banks at Ealing Studios and starring George Formby. You might need to know a little about Russian history to enjoy this, or not.
Even as satire, it's remarkably soft in its touch (but no less sharp or amusing). We acknowledge (and remind and warn you) that they may, in fact, be entirely unrepresentative of the actual reviews by any other measure. Numerous side characters, places and institutions are caught in a sharp light, sometimes of satire, sometimes of gentle irony: the operations of a Moscow newspaper, the 3% government bonds, New Economic Policy decadence and so on. A treasure hunt. The book is hilarious, and I wish that I knew a great deal more about the historical implications of the satire that exists in the book because I am sure that the book would have been a lot more funny for me with an original context. Vorobyaninov wants to find the treasure.
Their depiction of "a thousand kind of" people with humorous language (this kind of humour created laughter storms in my home every night!) Having no idea how to locate. A thousand kind of people are living in this book. I can probably turn the last page and immediately crack the book open again at the beginning, perpetually submerged in the adventures of former bourgeois Kisa Vorobyaninov and the legendary conman Ostap Bender as they throw themselves into a breakneck hunt for the coveted chair with heirloom dia. The DeLuise character is filled with greed and with hatred for those who would steal his chair. Or what? She reveals before dying that a fortune in jewels had been hidden from the Bolsheviks by being sewn into the seat cushion of one of the twelve chairs from the family's dining room set. What's worse, he doesn't know how he got up the mountain and doesn't think he can get down again. Plot Keywords Welcome back. But, alas, the chairs have been scattered. Because of this book I can pinpoint with accuracy the year I matured - it was the year I reread the book and realized that in spite of it playfull wittiness, it described a crushingly depressive vision of humanity. Dom DeLuise is playing a greed-crazed Russian Orthodox priest who has snatched away a chair that maybe has a fortune sewn into its seat. And when the old woman's 52-year-old son walks straight out onto a tightrope to snatch one of the chairs away from an aerialist, Brooks has found another perfect metaphor. You know the saying: There's no time like the present...unless you're looking for a distraction from the current moment. A thousand kind of people are living in this book. Mel Brooks has grown as a director since "The Producers" (1968), I think. Off he goes to find out what happened to his property, but quickly discovers that she also told her priest, who secretly longs to be a factory owner. The search for the bejeweled chairs takes these unlikely heroes from the provinces to Moscow to the wilds of Soviet Georgia and the Trans-caucasus mountains; on their quest they encounter a wide variety of characters: from opportunistic Soviet bureaucrats to aging survivors of the prerevolutionary propertied classes, each one more selfish, venal, and ineffective than the one before. If possible, verify the text with references provided in the foreign-language article. You go in expecting to laugh a lot, because you've seen "The Producers." In addition to their task, they find that they have to steer one other off that search, namely the family priest, Father Fyodor, who learned of the jewels in Vorobyaninov's mother-in-law's last confession and who now wants the jewels for himself.
Parents Guide. As he is a feckless man, he goes into cahoots with Ostap Bender, a con artist, to search for the twelve chairs, the prize being the unknown one with the hidden jewels. (1945) starring Fred Allen is very loosely based on the novel, using just five chairs.
The Twelve Chairs is set in 1927, in the still pre-Stalinist Soviet Union. In the last episode, they find the right chair, but the treasure turns out to be old paper money which by then had become useless. Part Two: From end of man's story until the second guest. In 1920s Soviet Russia, a fallen aristocrat, a priest and a con artist search for a treasure of jewels hidden inside one of twelve dining chairs, lost during the revolution. His mother-in-law reveals a secret to him - she hid family diamonds in one of the twelve chairs they once had. Synopsis by Northwestern University Press. The Twelve Chairs is set in 1927, in the still pre-Stalinist Soviet Union. makes you wanna go to U.S.S.R of 1920's a. Learn how and when to remove this template message, https://en.wikipedia.org/w/index.php?title=The_Twelve_Chairs&oldid=981352503, Articles needing additional references from June 2015, All articles needing additional references, Articles to be expanded from September 2016, Articles needing translation from Russian Wikipedia, Articles containing Russian-language text, Wikipedia articles with style issues from November 2015, Creative Commons Attribution-ShareAlike License. They fail to buy them and learn that the chairs have been split up for resale individually. Twelve Chairs by Ilf and Petrov is such a novel for me. Be the first to ask a question about The Twelve Chairs. | With the help of a con artist named Ostap Bender, Ippolit sets out to find them.
A very good satire that reminds me somehow of Bulgakov.
But after reading half of this, I must concede defeat. Even without the cultural and linguistic knowledge that makes this an incredible Russian classic in Russia and Ukraine, I still found myself laughing aloud and having a great deal of fun as I read. Twelve Chairs by Ilf and Petrov is such a novel for me.
For one, his mother-in-law also revealed the existence of the treasure to the local priest, Father Fyodor Vostrikov, and he's also willing to drop everything to get his hands on the fortune. Main | the New | the Best | the Rest | Review Index | Links, With an Introduction by Maurice Friedberg, Previously translated by Elizabeth Hill and Doris Mudie as, "Ilf und Petrow verstehen es, das Poetische und das Groteske unauflöslich zu verschränken (.....) Das heißt aber nicht, daß die Erzähler überall die glücklichste Hand beweisen, besonders nicht am Ende" -, "(A) 'comedy of errors,' a light and merry bouffonade of adventure -- a type of literature very rare in the gloomy land of soviets -- and a rather good one."
Its main character Ostap Bender reappears in the book's sequel The Golden Calf, in spite of his apparent death in Chairs. Still, it's a very enjoyable broad comedy: certainly recommended. Vorobyaninov travels to his old house and meets his former servant Tikon that adores him.
All my life this was the funniest book I have ever read. Ilf and Petrov also allow themselves a few entertaining asides about Soviet life in those times -- an amusing mix of almost Wild West and bureaucracy, with surprisingly little of the police state in view (though Bender constantly reminds Ippolit Matveyevich not to get on the wrong side of the law).
Voryobaninov is dragged along (well, mostly :-) and everyone else is basically a caricature - but what brilliant caricatures! He could forget about his lowly clerk-job, and again live in the noble (well, more or less, given the times) manner he was accustomed to before the Revolution.
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